Holly Hofmann interviewed by Monk Rowe, San Diego, California, February 13, 1998 [transcript]

Table of Contents: Biography -- Learning jazz from guitarist father at age 5 -- Classical study : "you were not to be out playing gigs" -- Relationship with Frank Wess and Slide Hampton/Attempt to double on saxophone -- Learning jazz repertoire/Fitting flute into jazz party ensembles -- Issues of race and sex in music employment -- Influences : Johnny Hodges, "the masters" -- About James Moody/Balancing ear training and theory -- Stance on 'Women in jazz' efforts -- Collaborations with Bill Cunliffe, pianist -- New age music/"Market for mindless music" -- Worst gigs : with student musicians in Australia/New York cutting contest -- About her flutes/Current work -- Audience for jazz -- Classical subbing/Writing.